The stained glass windows of
St. Paul Lutheran Church were installed in the Fall
of 1965. They were made (in Germany) by the Conrad
Pickel Studio of New Berlin, Wisconsin. The windows are chronologically
arranged. The Old Testament is portrayed on the east wall and the
New Testament is portrayed on the west wall. The choir loft is backed
by a large set of stained glass windows. As you leave the church
you will also see the large Resurrection window at the back of the
church. This is a reminder to us, as we go out into the World, the
sacrifice our Savior made for us. |
OLD TESTIMENT
— EAST WALL |
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1.
THE CREATION
The first window in the nave symbolizes the moment when God, in
His love, created man in his own image and made him a free being
able to choose between good and evil. The touch of the Creator's
hands express the fact that man became a living soul. The shaft
of light radiating from the triangle signifies God's power and the
grace he has bestowed upon man. Adam is standing on the globe indicating
him as the crown of the creation and the master of the earth. The
plants and animals depict the Garden of Eden in which God has placed
Adam and Eve. We notice a flock of colorful birds sweeping down
from the sky, a lion, a rabbit and a butterfly. |
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2.
NOAH
The second window illustrates God's covenant with Noah after the
Great Flood. Noah receives the assurance that, although man had
chosen evil and fallen into sin, God would never again destroy the
world by another flood. The rainbow is the sign of this assurance
and of God's mercy despite our sins. The figure of Noah is shown
in the attitude of worshipping God and of imploring divine protection
against further disaster. The rainbow symbolizes God's reply. The
altar of sacrifice is nearby, which Noah raised immediately after
leaving the ark. The dove in the bottom section is a symbol of peace
and mercy, the mercy which God had upon Noah in sparing him from
the catastrophe. The keys signify forgiveness of sins that had caused
the Great Flood. |
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3.
MOSES
After the people of Israel had left Egypt, God led them to Mt. Sinai
where they encamped in the wilderness. God called Moses up into
the mountain where he remained for forty days and nights. It was
then that God gave him, written on two tablets of stone, the Ten
Commandments which contain his holy will. The window shows Moses
standing on the mountain holding the tablets which he has just received
from God. The two rays of light radiating from his head refer to
the scriptural remark that the "skin of his face shone"
because he had been talking with God. (Exodus 34:29) |
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4.
DAVID THE KING
After the people of Israel had settled in the Promised Land it produced
great leaders, the greatest among them David. For all that he was
a political and military genius, he is best known as the singer
of Israel. In his youth he played the harp to sooth the moods of
King Saul; later as a king he wrote famous Psalms which up to this
date give so much comfort to the faithful. The window shows him
as he sings to the music of the harp while the Ark of the Covenant
is being carried to Jerusalem. The symbols in the bottom section
are the lyre, another musical instrument mentioned in the Bible,
and the tower and Star of David. |
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5.
THE PROPHET ISAIAH
The last figure taken from the Old Testament is that of Isaiah.
In his book we have some of the clearest prophecies of the Messiah
so that he sometimes is called the Evangelist of the Old Testament.
The design depicts the calling of the prophet. As he sees the Lord
he is overwhelmed by his feeling of unworthiness and he cries. |
NEW TESTIMENT
— WEST WALL |
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6.
THE NATIVITY
The Nativity window presents the beloved scene of the birth of Christ
amid manifestations of heavenly glory but also in the poverty of
the stable of Bethlehem where He took on the "form of a servant".
The Virgin Mary and the Holy Infant are depicted with a beam of
light upon them, indicating the high origin of this child. On the
left we see St. Joseph, the foster father of Jesus, looking on in
joy and worship. The design in the bottom section shows the Chi
Tho, the Greek initials for Christ, one of the oldest Christian
symbols, and the gifts of gold, frankincense and myrrh, which the
Wise Men offered to the new born Savior. |
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7.
THE BOY JESUS IN THE TEMPLE
This scene expresses both Our Savior's love, even as a child, for
the things of his Father, and also the extraordinary understanding
of the Word of God which the divine youth manifested to the astonishment
of the learned doctors. On the faces of the dignified doctors is
reflected their surprise at the Savior's understanding. In the right
upper section Mary and Joseph are depicted as they enter the temple.
After a three-day search they have found their son in the temple.
The design in the center of the lower panel shows the oil lamp,
symbol of wisdom and spiritual Zealand the scroll, symbol of the
Holy Scripture. |
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8.
THE BAPTISM OF JESUS
The Baptism of Jesus by St. John the Baptist shows Our Lord at the
beginning of His ministry. John, the forerunner, clad in a garment
of camel's hair, had been preparing the way for Christ. While Christ
is standing in the Jordan, the heavens open and the Holy Spirit,
in the form of a dove, is descending upon Him and a voice is heard:
"This is my beloved son, in whom I am well pleased." The
design in the bottom section shows a scroll and a candle, indicating
that Christ has come as the light of the world in fulfillment of
the Scriptures. |
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9.
THE SERMON ON THE MOUNT
The Sermon on the Mount, famous among the sermons of Our Lord because
of the Eight Beatitudes it contains, was delivered on a low mount
in Galilee. We see Christ seated on the mount, teaching the numerous
groups of people surrounding Him. We find men and women, young and
old, listening to the words of the Savior. His speech seems to be
new to their ears: "Blessed
are the poor in spirit… blessed are they that mourn…"
but He assures them also: "Think
not that I have come to abolish the law and the prophets…
I have come to fulfill them".
The fountain represents the fountain of the living water:
"The water that I shall give him, will become in
him a spring welling up to eternal life."
This water is the Word of God, which we accept in faith. The eight-pointed
star signifies the Eight Beatitudes. |
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10.
JESUS FEEDING THE MULTITUDE
Again we see our Lord surrounded by the crowds that have followed
Him. In the preceding window Christ was shown teaching the people,
here we see Him taking care of their material needs." He commanded
them to sit down by companies upon the green grass. So they sat
down in groups, by hundreds and by fifties." A boy with a basket
containing the loaves and the fish is kneeling in front of Our Lord.
"He blessed and broke the loaves and gave them to the disciples
to set before the people… and they all ate and were satisfied."
The basket of loaves and the fish in the lower section refer to
the "baskets full of the broken pieces left over." (Matthew
14:20) |
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11. THE RETURN OF THE PRODIGAL
SON
In a unique way Jesus has taught the truths of the Kingdom of God
in numerous parables. One of the most familiar is the story of the
prodigal son illustrated in this window. Reduced to the state of
a beggar, the son is kneeling down before his father: "Father,
I have sinned against heaven, and before thee. I am no more worthy
to be called thy son: make me as one of thy hired servants."
(Luke 15:18-19). All he has left is a worn out
garment, a staff, and a water flask. But in spite of all this the
Father is receiving his son with open arms; a new dress is ready
to give him a new look and to reinstate him in his former privileges.
The parable of the prodigal son illustrates the love of our heavenly
Father towards all His children, and forgiveness of the sinners
who repent and turn back to Him in faith and confidence. The crossed
keys in the bottom section are another sign of the forgiveness of
sins. |
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12. CHRIST BLESSING THE CHILDREN
"And they brought young children to him, that he should touch
them: and his disciples rebuked those that brought them. But when
Jesus saw it, he was much displeased and said unto them,
"Suffer the little children to come unto me, and forbid them
not: for of such is the Kingdom of God. Verily I say unto you, Whosoever
shall not receive the kingdom of God as a little child, he shall
not enter therein. And he took them up in his arms, put his hands
upon them, and blessed them." (Mark
10:13-16). Jesus is shown holding a little boy in his arm:
a little girl is looking up to the Savior in love and confidence.
In this upper right and left we see parents waiting to bring their
children to Jesus. The flowers in the bottom section are the daisy,
symbolizing the innocence, the lily of the valley symbolizing the
humility of the children. |
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13.
THE CRUCIFIXION
This window represents the central event in all human history. There,
on the cross, Our Lord hangs for hours in spiritual and physical
agony, as the Lamb of God, sacrificed for us and for our countless
sins. The cross itself is rendered in red to symbolize the blood
that Christ has shed for us. From now on the cross will be the sign
of redemption and of the true faith. Beside the cross stands the
Virgin Mary, His mother, and John, the sorrowing disciple. Above
the Savior's head is the tablet, placed there by the order of Pontius
Pilate, bearing the inscription "INRI" which means "Jesus
of Nazareth, King of the Jews." The darkened sun and the lightning
striking from the sky suggest the events in nature that occurred
during this dramatic event: darkness was over the land, the earth
shook and the rocks were split. |
THE RESURECTION
— NORTH WALL |
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RESURRECTION
The large window on the north side of the church concludes the series
depicting the events of the Old and the New Testament. The bold
design illustrates the Resurrection of Our Lord with its triumphant
message of life victorious in Christ over death and the power of
darkness. It expresses the joy in the fulfillment of the mission
the Father had given His Son. Without this last scene and it's message,
our lives would be gloomy indeed. Dominating all else in the windows
stands the rising figure of Christ, vigorously alive again. Although
the wounds are still visible, he carries symbolically the banner
of victory with a streaming pennant of triumph. On the right we
see the angel who has removed the stone from the tomb. He is holding
a palm branch, a sign of Christ the Victor. Beside the tomb we see
the sun, rising on Easter morning, spreading it's light in ever
widening circles. The Easter lilies in front of the tomb have pierced
the ground and appear in their white splendor as another symbol
of the Resurrection. The curved area, rendered in green, suggests
the earth, which participates in the renewal of life. |
THE CHOIR WINDOW
— EAST WALL |
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CHOIR WINDOW
The Choir Window, which has a purely symbolical treatment, may be
called an exhortation to Praise and Prayer. The censer and the hands
recall the words of the Psalms: "Let my prayer be counted as
incense before thee, and the lifting up of my hands as an evening
sacrifice" (Psalms 141, 142). Our praise of
the Lord is suggested by the organ, the harp, the trumpets and the
musical scroll. With the idea of Praise and Prayer the designer
has combined a symbolical illustration of the Reformation by showing
the coat of arms of Luther (upper right) and the book of the Bible
(upper left). |
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